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SELECTED TEXTS

  • Prof. Georg Trogemann: Von poietischen Prozessen und poetischen Maschinen
    Kasseler Kunstverein, 2016
  • Dr. Andreas Brockmann: Einführung in die Ausstellung Irrational Computing
    Schering Stiftung, 2011
  • Prof. Anthony Moore: History-producing Machines
    published in Space Inventions Exhibition Catalog Künstlerhaus Wien, 2010
  • ARTICLES

    2016

  • Prof. Georg Trogemann: Von poietischen Prozessen und poetischen Maschinen
    Kasseler Kunstverein, 2016
  • Régine Debatty: Order+Noise, a tug of war for motors, strings and rubber bands
    Interview, We Make Money Not Arte, 2016
  • 2015

  • Karin Nord: Poetische Maschinen
    Mundus Kunstmagazin, Ausgabe, 2015
  • Aurelio Cianciotta: Mirage – intelligent projection apparatus
    Neural Issue 50, Winter 2015, Milan IT, 2015
  • Ryan Jordan: DIY Electronics. Revealing the Material Systems of Computation
    LMJ 25, MIT Press, Boston US, 2015
  • 2014

  • Mitchell Whitelaw: Digital Mirage
    POSTmatter, London UK, 2014
  • Nadja Sayej: An Artist Has Made A Primitive Computer Out Of Earth Crystals
    The Creators Project, London UK, 2014
  • Olivia Solon: Computer ‘dreams’ projected with lasers
    Wired UK, London UK, 2014
  • Filip Visnjic: Mirage – An optical projection apparatus by Ralf Baecker
    Creative Applications, London UK, 2014
  • Ralf Baecker: Mirage
    Amusement, London UK, 2014
  • Siofra McSherry: Obsessive Sensing
    This is Tomorrow, London UK, 2014
  • 2013

  • Martin Dunkelmann: Die Ästhetik des Digitalen
    Videoportrait von Arte Creative, Berlin DE, 2013
  • Mitchell Whitelaw: Sheer Hardware
    Scan | Journal of Media Arts Culture Volume 10 Number 2, Sydney AU, 2013
  • Pau Waelder: Interview with Ralf Baecker
    VIDA Telefonica, Madrid ES, 2013
  • 2012

  • Mitchell Whitelaw: Proto-Computing
    the teeming void, Canberra AU, 2012
  • Christiane Meixner: Der Maschinist
    Tagesspiegel, Berlin DE, 2012
  • 2011

  • Dr. Andreas Broeckmann: Einführung in die Ausstellung Irrational Computing
    Schering Stiftung, 2011
  • Dan Smith: Sculpture uses magnetism to redesign itself continuously
    Wired UK, London UK, 2011
  • 2010

  • Régine Debatty: El proceso como paradigma. The Autonomous Automat
    we make money not art, London UK, 2010
  • 2009

  • Alessandro Ludovico: Rechnender Raum
    Centerfold in Neural Magazin – Machine Affection, Print Issue 32, 2009
  • 2006

  • Alessandro Ludovico: Nowhere, rhizomatic sculpture
    Neural, Milan IT, 2006
  • BIBLIOGRAPHY

    2017

  • Machine Art in the Twentieth Century
    MIT Press, by Andreas Broeckmann, 2017
  • 2016

  • Ralf Baecker. Order + Noise (Catalog)
    NOME Projects, 2016
  • 2015

  • Mathematics and Art. A Cultureal History
    Princton University Press, by Lynn Gamwell, 2015
  • Experiencing the Unconventional (with Mitchell Whitelaw)
    World Scientific, ed. Theresa Schubert and Andrew Adamatzky, 2015
  • 2014

  • Rauchwolken und Luftschlösser. Temporäre Räume (Contribution)
    Textem Verlag, Herausgegeben von Dennis Paul / Andrea Sick, 2014
  • 2011

  • A Touch of Code (Contribution)
    Gestalten Verlag, 2011
  • produced@ (Catalog) (Exhibition catalog)
    Revolver Berlin, 2011
  • 2010

  • Weltwissen. 300 Jahre Wissenschaften in Berlin (exhibition catalog)
    Hirmer Berlin, 2010
  • Code und Material Exkursionen ins Undingliche (contribution)
    Springer Vienna, Georg Trogemann, 2010
  • Space Inventions. Der künstliche Raum (Catalog) (exhibition catalog)
    Schlebruegge, P. Bogner/G. Hattinger, 2010
  • 2009

  • Process as Paradigm (Catalog) (exhibition catalog)
    LABoral Gijon, 2009